Apr 14, 2020  Scale Sequences: Fire Up Your Solos with 15 Mind-Blowing Patterns By Guitar Player Staff 14 April 2020 Take a look at the power of sequencing patterns and explore ways you can put them to use to ignite your solos and licks with a new intensity. One of many reunions that took place over the years, after a teenaged Evan Johns provided vocals and rhythm guitar on Danny Gatton’s legendary Redneck Jazz album in 1978. This was recorded live at Baltimore’s 8×10 club in March of ’84, just a month before Johns disbanded D.C.’s H-Bombs and joined Austin’s LeRoi Brothers, and shows that Johns’ own guitar style was, in part, a.

With it’s distinct style and signature sound, many guitarists want to learn to play country music. Here, Katy, TX guitar instructor Zachary A. shares the five country guitar licks you need to know…

Whether you’re trying to emulate you favorite country guitarist or you just enjoy the twang of country songs, these five guitar licks will help you establish a solid foundation. The majority of country music licks are derived from blues and major pentatonic scales. In this article, I will provide the sheet music and the tablature layout of the five essential country licks you need to know. These country licks will help you build speed and efficiency in your country solos.

These country guitar licks have been used by all the country music legends like Albert Lee, Ricky Skaggs, Ry Cooder, Brent Mason, and many, many more. When you practice, you don’t have to play everything super fast. Personally, I think it’s the melodic, moderate tempo licks that really bring home the country vibe. Remember to learn the scale first, and then work on perfecting it. When you’re learning these licks, or any scale or solo, I recommend using a metronome. A metronome can help you gain speed and develop your sense of time.

In my opinion, there’s no one who personifies country guitar quite like Albert Lee. He is a true virtuoso on the guitar. Lee recorded “Country Boy” in 1979, and it became an instant hit. Here is a lick from “Country Boy.” This lick may seem intimidating at first glance, but it’s not too overwhelming when you break it up into two-bar sections.

Here’s a country guitar lick from Ricky Skaggs. Play this lick in G major Mixolydian mode. This lick is one of the more well-known country guitar licks.

This country guitar lick is from a Danny Gatton solo. Gatton was an unbelievably fast guitar player, and he would frequently cover several American music genres in one wicked solo. Jvc gr d53 driver for mac free. In this lick, he starts with a bend from the 5th of the chord, then moves to bend the 2nd of the chord up to the 3rd. After that, he surrounds the low 3rd of the chord, and finally resolves everything by moving up to the open G.

The licks in figures 1 and 2 are both in the chromatic scale, in the key of G7. The chromatic scale is very straightforward; it’s all 12 notes that we use in Western music. When you play chromatic scales, you can really build up your speed. These scales use chromatic filler tones, which makes these licks seem almost never ending.

You can hear these two licks in numerous Albert Lee and Brent Mason tunes. Lee and Mason are both virtuosos on the guitar, and they both have a strong command of the chromatic scale.

Figure 2, is a chromatic lick in the key of G.

Remember, you can treat these licks as templates for new country guitar licks. It’s always fun to take a simple lick and add to it. Take these ideas, add to them, or invert them. You can also take part of the lick, and then go in a different direction; it’s up to you as the musician. Looking for more great country songs to play? Try these easy-to-learn classic country songs.

Looking for a great guitar instructor in your area? Search here for guitar teachers near you!

Zachary A. is a guitar instructor in Katy, TX specializing in beginning and intermediate students. He is currently earning a degree in music theory. Learn more about Zachary here!

Photo by David Masters

Daniel Wood Gatton Jr. (September 4, 1945 – October 4, 1994) was an American guitarist who fused blues, rockabilly, jazz, and country to create a musical style he called 'redneck jazz'.^[1]

Career[edit]

Daniel Wood Gatton Jr. was born in Washington, D.C., in 1945. The son of a rhythm guitarist, Gatton started playing at the age of nine. From 1960–1964 he played jazz guitar with the Offbeats, then worked as a session musician in Nashville.^[2][3] When he returned to Washington, he drew attention in the 1970s as a member of Liz Meyer & Friends and other local bands. He recorded his debut album, American Music (1975), followed by Redneck Jazz (1978) with pedal steel guitarist Buddy Emmons appearing as a guest. He founded the band the Redneck Explosion.^[2]

Although Gatton could play most genres of music, including jazz, blues, bluegrass, and rock, he was known as a country and rockabilly guitarist.^[2] He toured with singers Roger Miller and Robert Gordon.^[3] He was sometimes called 'The Telemaster' and 'the world's greatest unknown guitarist'.^[2] Guitarist Amos Garrett called him 'The Humbler' for his ability to defeat other guitarists in 'head-cutting' jam sessions.^[4] On this point, however, Gatton declared “The biggest humbler to me, of all time, would be Lenny Breau. He was the best I have ever seen.'^[5]

In 1987, nine years after his previous album, he released Unfinished Business, an eclectic collection of pop, rock, and country music that Guitar World magazine named the tenth best album of the 1980s.^[6] He got a contract with his first major record label and released another eclectic album, 88 Elmira Street (Elektra, 1991),^[3] which contained a cover version of the theme song from the animated TV series The Simpsons.^[7]

Gatton turned toward jazz for the albums New York Stories (Blue Note, 1992) and Relentless (1994) with Joey DeFrancesco.

Death[edit]

On October 4, 1994, Gatton locked himself in the garage on his farm in Newburg, Maryland, and took his own life by shooting himself.^[8] Although he left no note or explanation,^[9] family members and close friends believe he suffered from depression for many years.^[10] Friend and drummer Dave Elliott said that he thought Gatton had suffered from depression since they met more than twenty years earlier.^[8]

Gear and playing style[edit]

Gatton played a 1953 Fender Telecaster customized with Joe Barden pickups and Fender Super 250Ls, or Nickel Plated Steel (.010 to .046 with a .015 for the G) strings (Fender now makes a replica of his heavily customized instrument), and a 1956 Gibson ES-350. For a slide, Gatton sometimes used a beer bottle or mug. In the March 1989 issue of Guitar Player magazine, Gatton said he preferred to use an Alka-Seltzer bottle or long 6L6 vacuum tube as a slide, but that audiences seemed to prefer the beer bottle. Unlike many electric guitarists, Gatton played slide overhand only, citing his earlier training in steel guitar [Guitar Player, March 1989]. Among amplifiers, liner notes on his album '88 Elmira Street' cites his use of Fender amplifiers including a 1963 Vibrolux, a 1963 Super Reverb, a 1958 Twin, a 1964 Deluxe, and a 1958 Bassman.^[11] Gatton built many of his own electric musical devices, including one he called the Magic Dingus Box, which controlled the speed of the rotating horn in a Leslie speaker cabinet.^[12]

Reception[edit]

When Rolling Stone magazine selected the 100 Greatest Guitarists of all Time in 2003, senior editor David Fricke ranked Gatton 63rd on his ballot.^[13] On May 26, 2010, Gibson.com ranked Gatton as the 27th best guitarist of all time.^[14]

Among his admirers are Buckethead, Joe Bonamassa, Lenny Breau, James Burton, Chris Cheney, Vince Gill, Johnny Hiland, Evan Johns, Bill Kirchen, Albert Lee, Les Paul, Arlen Roth, Richie Sambora, Ricky Skaggs, Slash, and Steve Vai.^[9]

Gatton has been described as possessing an extraordinary proficiency on his instrument, 'a living treasury of American musical styles.'^[15] In 2009, John Previti, who played bass guitar with Danny for eighteen years, stated, 'You know, when he played country music, it sounded like all he played was country music. When he played jazz, it sounded like that's all he played, rockabilly, old rock and roll, soul music. You know, he called himself a Whitman sampler of music'^[10] Guitarist Steve Vai reckons Danny 'comes closer than anyone else to being the best guitar player that ever lived.'^[16] Guitarist Albert Lee said of Gatton, 'Here's a guy who's got it all.'^[17]

On January 10–12, 1995, Tramps nightclub in New York organized a three-night tribute to Gatton featuring dozens of Gatton's musical admirers, the highlight of which was a twenty-minute performance by Les Paul, James Burton, Arlen Roth, and Albert Lee.^[18] Those shows (with all musicians performing for free) raised $25,000 for Gatton's wife and daughter.

Blue Skies Calling (2011), an album by Boy Wells, includes nearly an hour of Gatton and Wells playing in his living room. 'Danny called me before he died and asked me to put a vocal tape together for his label at the time. He needed a singer after his singer, Billy Windsor, had passed. He remained a friend, a good one all those years. This lesson was in the late '70s; it's me and Danny in the living room of his house on Holly Lane in Indian Head, Maryland. It's killer stuff.'^[19]

Gatton was given nicknames such as 'The Humbler',^[20] 'The Telemaster',^[21] and 'the world's greatest unknown guitarist'.^[21]

Awards and honors[edit]

• Grammy Award nomination, 'Elmira Street Boogie', Best Rock Instrumental Performance, 1991^[22]
• Danny Gatton Signature Telecaster^[23]

Discography[edit]

• 1975 – American Music
• 1978 – Redneck Jazz
• 1987 – Unfinished Business
• 1990 – Blazing Telecasters
• 1991 – 88 Elmira St.
• 1992 – New York Stories with Joshua Redman, Roy Hargrove, Bobby Watson, & Franck Amsallem
• 1993 – Cruisin' Deuces
• 1993 – Toolin' Around with Arlen Roth
• 1994 – Relentless (with Joey DeFrancesco)
• 1995 – Redneck Jazz Explosion
• 1996 – The Humbler (with Robert Gordon)
• 1998 – In Concert 9/9/94
• 1998 – Untouchable
• 1998 – Portraits
• 1999 – Anthology
• 2004 – Funhouse
• 2004 – Unfinished Business
• 2005 – Oh No! More Blazing Telecasters (with Tom Principato)
• 2006 – Redneck Jazz Explosion, Vol. 2
• 2007 – Live in 1977: The Humbler Stakes His Claim

References[edit]

1. ^Heibutzki, Ralph (2003). Unfinished Business – the Life and Times of Danny Gatton. San Francisco: Backbeat Books. ISBN0-87930-748-X.
2. ^ ^abcdYanow, Scott (2013). The Great Jazz Guitarists. San Francisco: Backbeat. p. 82. ISBN978-1-61713-023-6.
3. ^ ^abcHuey, Steve. 'Danny Gatton'. AllMusic. Retrieved April 26, 2017.
4. ^'Danny Gatton, The Humbler RCR American Roots Music'. Rubbercityreview.com. September 24, 2010. Retrieved August 10, 2016.
5. ^Newton, Steve. 'Guitar god Danny Gatton says Lenny Breau is the biggest humbler of all time'. Retrieved November 15, 2017.
6. ^Schulte, Tom. 'Unfinished Business'. AllMusic. Retrieved April 26, 2017.
7. ^Koda, Cub. '88 Elmira St'. AllMusic. Retrieved April 26, 2017.
8. ^ ^abHarrington, Richard (October 6, 1994). 'October 4th, 1994 – Danny Gatton'. Thehumblermovie.com. Retrieved August 10, 2016.
9. ^ ^abHeibutzki, Ralph (2003). Unfinished Business: The Life & Times of Danny Gatton. Backbeat Books, San Francisco. ISBN0-87930-748-X.
10. ^ ^ab'Danny Gatton: 'World's Greatest Unknown Guitarist''. NPR. October 4, 2009. Retrieved February 24, 2014.
11. ^Jesse Gress (October 2, 2007). '10 Things You Gotta Do to Play Like Danny Gatton'. GuitarPlayer.com. Retrieved August 10, 2016.
12. ^Scott (November 26, 2008). 'The Audio Museum: Danny Gatton's Original Magic Dingus Box!'. The Audio Museum. Retrieved June 23, 2017.
13. ^'The 100 Greatest Guitarists of All Time'. Rolling Stone. Retrieved October 30, 2011.
14. ^'Top 50 Guitarists of All Time – 30 to 21'. Gibson. Archived from the original on May 27, 2010. Retrieved 2011-10-30.
15. ^'Chairman Ralph's Ministry Of Truth'. Chairmanralph.com. Retrieved October 26, 2015.
16. ^'Playlist: Danny Gatton « Guitar Aficionado'. Guitaraficionado.com. November 15, 2011. Retrieved February 24, 2014.
17. ^'Albert Lee Interview : Guitar Interviews'. Guitarinternational.com. Archived from the original on March 29, 2014. Retrieved 2014-02-24.
18. ^Herndon, David (January 9, 1995). 'A Tribute to Danny Gatton'. Newsday. Retrieved January 4, 2011.
19. ^'Bman's Blues Report: Marcel Marsupial Records artist: Boy Wells – Blue Skies Calling – New Release Review'. Bmansbluesreport.com. December 1, 2011. Retrieved February 24, 2014.
20. ^Fanelli, Damian (June 8, 2017). 'Danny Gatton Solos with a Full Beer Bottle and Towel, Guitar World Magazine'. guitarworld.com.
21. ^ ^ab'Readers Poll Results: The 100 Greatest Guitarists of All Time'. Guitar World. Archived from the original on October 25, 2012. Retrieved December 22, 2015.
22. ^Graham, Jonathan (February 14, 2019). 'Forgotten Guitar: Danny Gatton Performs on 'Nightwatch' in 1989'. guitarworld. Retrieved February 17, 2019.
23. ^'The Definitive Danny Gatton Web Site'. Dannygatton.com. Archived from the original on June 4, 2014. Retrieved 2014-02-24.

Further reading[edit]

• Heibutzki, Ralph (2003). Unfinished Business: The Life and Times of Danny Gatton. San Francisco: Backbeat Books. ISBN0-87930-748-X.

External links[edit]